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Dance Star Matthew Ball on Demanding Parts and Online Attention: 'I'm Not Precious About My Body'

Within the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his arms defined beneath a simple white T-shirt. On stage, dancers can appear as powerful gods, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his popularity for heroic roles and partnering. With delicate traits and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has progressed smoothly. Raised in Liverpool, he faced little ridicule for his childhood passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was promoted annually, attaining the top rank of lead dancer in 2018. He has relished taking on meaty characters, particularly the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next featured appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes perspectives into a performer's art. He will walk the crowd through a role, demonstrating his cognitive workflow during execution. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the toughest technically," he notes.

The Mental Game and After the Show Emotions

How does he feel following a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed later. Following an intense role I'm always like: God, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Motivations and Artistic Inspirations

His determination stemmed from youthful experiences. Not excelling in contests at school made him "driven!" It was motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, compositions, and painting.

Close-Up Dance and Personal Dynamic

He additionally is interested in staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On Instagram, fans can see videos from his projects and images that showcase a athletic form. Does he care that the engagement can be a bit objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be interpreted on multiple ways.

Ball describes his early self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate thing to the dreams you had as a child," he muses. He likely has another decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."

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Patrick Cummings

A seasoned gaming journalist with over a decade of experience analyzing online casinos and slot mechanics across the UK market.

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